Document Type : Original Article
Authors
1 Assistant Professor of Carpet Department, Faculty of Arts and Humanities, Shahrekord University
2 Instructor, Faculty of Art, Architecture and Urban Planning, Azad University, Najafabad Branch
3 PhD student, Department of Analytical and Comparative History of Islamic Art, Tehran University of Arts
Abstract
One of the characteristics related to the identity of any society is the clothing of individuals, which is considered as a symbol of indigenous culture and is closely related to other cultural elements of that society. Today, the tasteless use of Iranian motifs and decorations in clothing and in this regard, women's clothing is one of the reasons for the change of identity and culture, but the issue that is clearly seen over the years is that the identity of Iranian women using clothing that the market The world offers them, it is constantly changing and tending to the same global culture from which the mentioned clothing comes. One of the things that can help solve this problem is role-playing and art in decorating clothes or fabrics based on traditional art designs in women's clothing. The present article, which has been written with the aim of using the hand-woven motifs of Bakhtiari nomads in the decoration of women's clothing of this people, is based on qualitative and quantitative research and based on descriptive-analytical method and using library resources and field research method. It seeks to answer the question of how the hand-woven designs and symbols of Bakhtiari nomads can be used in decorating local, semi-local and modern clothes to welcome women? In the other part, by applying these designs in the clothes of the three groups mentioned, based on the variables of background characteristics and taste in the two regions of Koohrang and Lordegan were measured.
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